New York seasons
Nobody Dies in the Spring by Philip Appleman, from New and Selected Poems, 1956-1996
Nobody dies in the spring
on the Upper West Side:
nobody dies.
On the Upper West Side
we're holding hands with strangers
on the Number 5 bus,
and we're singing the sweet
graffiti on the subway,
and kids are skipping patterns through
the bright haze of incinerators,
and beagles and poodles are making a happy
ruin of the sidewalks,
and hot-dog men are racing
their pushcarts down Riverside Drive,
and Con Ed is tearing up Broadway
from Times Square to the Bronx,
and the world is a morning miracle
of sirens and horns and jackhammers
and Baskin-Robbins' 31 kinds of litter
and sausages at Zabar's floating
overhead like blimps--oh,
it is no place for dying, not
on the Upper West Side, in springtime.
There will be a time
for the smell of burning leaves at Barnard,
for milkweed winging silky over Grant's Tomb,
for apples falling to grass in Needle Park;
but not in all this fresh new golden
smog: now there is something
breaking loose in people's chests,
something that makes butchers and bus boys
and our neighborhood narcs and muggers
go whistling in the streets--now
there is something with goat feet out there, not
waiting for the WALK light, piping
life into West End window-boxes,
pollinating weeds around
condemned residential hotels,
and prancing along at the head
of every elbowing crowd on the West Side,
singing:
Follow me-- it's spring--
and nobody dies.
all that by Charles Bukowski, from Open All Night. © Black Sparrow Press.
the only things I remember about
New York City
in the summer
are the fire escapes
and how the people go
out on the fire escapes
in the evening
when the sun is setting
on the other side
of the buildings
and some stretch out
and sleep there
while others sit quietly
where it's cool.
and on many
of the window sills
sit pots of geraniums or
planters filled with red
geraniums
and the half-dressed people
rest there
on the fire escapes
and there are
red geraniums
everywhere.
this is really
something to see rather
than to talk about.
it's like a great colorful
and surprising painting
not hanging anywhere
else.
Nobody dies in the spring
on the Upper West Side:
nobody dies.
On the Upper West Side
we're holding hands with strangers
on the Number 5 bus,
and we're singing the sweet
graffiti on the subway,
and kids are skipping patterns through
the bright haze of incinerators,
and beagles and poodles are making a happy
ruin of the sidewalks,
and hot-dog men are racing
their pushcarts down Riverside Drive,
and Con Ed is tearing up Broadway
from Times Square to the Bronx,
and the world is a morning miracle
of sirens and horns and jackhammers
and Baskin-Robbins' 31 kinds of litter
and sausages at Zabar's floating
overhead like blimps--oh,
it is no place for dying, not
on the Upper West Side, in springtime.
There will be a time
for the smell of burning leaves at Barnard,
for milkweed winging silky over Grant's Tomb,
for apples falling to grass in Needle Park;
but not in all this fresh new golden
smog: now there is something
breaking loose in people's chests,
something that makes butchers and bus boys
and our neighborhood narcs and muggers
go whistling in the streets--now
there is something with goat feet out there, not
waiting for the WALK light, piping
life into West End window-boxes,
pollinating weeds around
condemned residential hotels,
and prancing along at the head
of every elbowing crowd on the West Side,
singing:
Follow me-- it's spring--
and nobody dies.
all that by Charles Bukowski, from Open All Night. © Black Sparrow Press.
the only things I remember about
New York City
in the summer
are the fire escapes
and how the people go
out on the fire escapes
in the evening
when the sun is setting
on the other side
of the buildings
and some stretch out
and sleep there
while others sit quietly
where it's cool.
and on many
of the window sills
sit pots of geraniums or
planters filled with red
geraniums
and the half-dressed people
rest there
on the fire escapes
and there are
red geraniums
everywhere.
this is really
something to see rather
than to talk about.
it's like a great colorful
and surprising painting
not hanging anywhere
else.
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